Showing 1 - 10 of 41
During World War II, the art market experienced a massive boom in occupied countries. The discretion, the inflation proof character, the absence of market intervention and the possibility to resell artworks abroad have been suggested to explain why investing in artworks was one of the most...
Persistent link: https://www.econbiz.de/10009364300
During crisis art is often considered as a safe haven both by the scientific literature and the financial advisors. For example, during WWII art markets encountered a massive boom in occupied countries This paper questions this vision of art as a safe investment providing evidence that art has...
Persistent link: https://www.econbiz.de/10010937203
Art is often used as an investment vehicle. Given the importance of market efficiency in finance, we use a large auction-based index to test whether the art market is weakly efficient. Evidence reveals that returns on artworks exhibit high positive auto-correlation. We attribute this result to...
Persistent link: https://www.econbiz.de/10010607933
The financial underperformance of art as an investment is well documented. In contrast to studies conducted on peace-time periods, this paper shows that the art market in occupied France during WWII significantly outperformed all alternative investments (bonds, equities, as well as currencies...
Persistent link: https://www.econbiz.de/10010968983
This paper analyzes, on basis of an original database of close to 3 000 canvasses sold during the war in Drouot, the main French auction house, the evolution of the art market in occupied France. Based on hedonic regressions, it shows that by all standards the market experienced a massive boom....
Persistent link: https://www.econbiz.de/10005003765
This paper investigates the participation in social networks of theater's audiences. Our purpose is to observe, describe and understand the role of social networks in the consumption behavior of the theater field. In particular, we put the accent on the concept of cultural capital with its...
Persistent link: https://www.econbiz.de/10011144240
Reasons why organizations sponsor artistic and cultural events have attracted a lot of scholarly attention. However, understanding why organizations create and develop their own collections has remained largely under investigated. This is especially striking in the financial sector where...
Persistent link: https://www.econbiz.de/10008468449
In the microfinance industry the idea of “empowerment” is often valued as a means to encourage female emancipation from male domination. This paper’s main purpose is to draw on women’s testimonies and narratives to highlight the fundamental importance within these processes of women’s...
Persistent link: https://www.econbiz.de/10008752805
Using data from Bangladesh, this paper finds that the liquidity premium—the difference between the interest paid on illiquid and liquid savings accounts—is higher in commercial banks than in microfinance institutions. One possible interpretation lies in the higher prevalence of...
Persistent link: https://www.econbiz.de/10011082651
Sovereign bonds are usually priced under the assumption that only the sovereign issuer may be responsible of their repayment. In some cases however, bondholders may legitimately expect to be repaid by more than one agent. For example, when a country breaks-up, successor states may agree to...
Persistent link: https://www.econbiz.de/10005558943