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Download-Angebote für Musik : Hintergründe, Bedeutung und Perspektiven
Hess, Thomas; Grau, Christoph; Dörr, Jonathan - 2008
Persistent link: https://www.econbiz.de/10009564669
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Purchase, pirate, publicize : private-network music sharing and market album sales
Lee, Jonathan - 2018
I quantify the effects of private-network music sharing on aggregate album sales in the BitTorrent era using a panel of US sales and private-network downloads for 2,109 albums during 2008. Exogenous shocks to the network's sharing constraints address the simultaneity problem. In theory,...
Persistent link: https://www.econbiz.de/10011786866
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Digital music consumption on the internet : evidence from clickstream data
Aguiar, Luis; Martens, Bertin - 2013
The goal of this paper is to analyze the behavior of digital music consumers on the Internet. Using clickstream data on a panel of more than 16,000 European consumers, we estimate the effects of illegal downloading and legal streaming on the legal purchases of digital music. Our results suggest...
Persistent link: https://www.econbiz.de/10011979419
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What's going on? : digitization and global music trade patterns since 2006
Gomez-Herrera, Estrella; Martens, Bertin; Waldfogel, Joel - 2014
The objective of this paper is to document the evolution of cross-border music trade patterns in this transition period and to explain what drives digital music trade patterns. The shift from analogue to digital music distribution has substantially reduced trade costs and has enlarged the choice...
Persistent link: https://www.econbiz.de/10011979740
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Language, copyright and geographic segmentation in the EU Digital Single Market for music and film
Gomez, Estrella; Martens, Bertin - 2015
The EU seeks to create a seamless online Digital Single Market for media products such as digital music and film. The territoriality of the copyright regime is often perceived as an obstacle that induces geographical segmentation. This paper provides empirical evidence on the extent of market...
Persistent link: https://www.econbiz.de/10011980113
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Der Musikvertrieb über das Internet aus Konsumentensicht : Ergebnisse einer empirischen Analyse
Kempe, Michael - 2002
Mit Napster und seinen Nachfolgern ist der Erwerb von Musik über das Internet längst zur Realität geworden und es scheint als hätte die Musikindustrie den Start verpasst. Mit der Virtualisierung der Musik müssen die bisherigen Strategien und Strukturen der Branche neu überdacht werden....
Persistent link: https://www.econbiz.de/10009419489
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Music or hi-tech lovers? : an empirical analysis of the digital music market in Italy
Balducci, Francesco (contributor) - 2008
Persistent link: https://www.econbiz.de/10003748428
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Ökonomie der Musikindustrie
Clement, Michel (ed.) - 2005 - 1. Aufl.
Persistent link: https://www.econbiz.de/10002509244
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An economist's guide to digital music
Peitz, Martin; Waelbroeck, Patrick - 2004 - First draft: May 2003, This draft: December 2004
In this guide, we discuss the impact of digitalization on the music industry. We rely on market and survey data at the international level as well as expert statements from the industry. The guide investigates recent developments in legal and technological protection of digital music and...
Persistent link: https://www.econbiz.de/10010366575
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Musikwirtschaft 2.0 : Bestandsaufnahmen und Perspektiven
Höhne, Steffen (ed.); Maier, Matthias (ed.);  … - 2014
Musikwirtschaft 2.0. Bestandsaufnahmen und Perspektiven : eine Einführung / Steffen Höhne und Wolf-Georg Zaddach … Digitalisierung : die Schallplatte als Perspektive für die Musikwirtschaft der 1950er und 1960er Jahre / Christian A. Müller -- The … Charles Amann -- "Music is an enginge of the digitale world"̈ : Musik und Musikwirtschaft im Zeitalter des Social Web / Wolf …
Persistent link: https://www.econbiz.de/10010350114