Economy, Emotion, and Ethics in Chinese Cinema : Globalization on Speed
| Year of publication: |
2016
|
|---|---|
| Authors: | Li, David Leiwei |
| Publisher: |
s.l. : Taylor and Francis |
| Subject: | Emotion | China | Filmwirtschaft | Film industry | Taiwan | Hongkong | Hong Kong | Volkswirtschaft | Economy | Wirtschaftsgeschichte | Economic history | Kritik | Criticism | Kultursoziologie | Cultural sociology | Film |
| Extent: | Online-Ressource (274 p) |
|---|---|
| Series: | |
| Type of publication: | Book / Working Paper |
| Language: | English |
| Notes: | Description based upon print version of record Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction: Culture and contemporary Chinese cinema in the Second Coming of Capitalism -- PART I Homo economicus: Individual liberty and market dependency -- 1 Primitive accumulation and the emergence of the liberal subject in the People's Republic: Zhang Yimou's Red Sorghum and Zhou Xiaowen's Ermo -- 2 Crazy English with a Chinese face: Zhang Yuan's documentary on the neoliberal pedagogy of the self -- PART II Homo sentimentalis: The transformation of family and intimacy 3 Neoliberalism's family values: (Re)production and (re)creation in Ang Lee's trilogy and Zhang Yimou's Happy Times -- 4 The deregulation of affect and reflexive individualization in Hou Hsiao-hsien and Yang De-chang -- PART III Homo ethicus: Toward ecological justice -- 5 The world of Jia Zhangke viewed: Neorealist aesthetics against neoliberal logics -- 6 Abiding by nature's time: The caution of cannibal capitalism in Fruit Chan's Dumplings -- Index |
| ISBN: | 978-1-138-12096-9 ; 978-1-317-30987-1 |
| Source: | ECONIS - Online Catalogue of the ZBW |
Persistent link: https://www.econbiz.de/10011909050