Under the Parallax of Visual Feminisms: Post-Biological and/or Post-Oedipal

The present study will make use of the parallax method in its attempt to analyze and verify the relationship between postmodernism – representation – feminisms, reinterpreting concepts such as subject-object, ideology, dedoxification, with an interest in the relationship between postmodernisms – feminisms. In this sense, the article will resort to two forms/formulas accompanying its theoretical basis – clona societas (Orphan Black) and the post-Oedipal model (Those Who Kill), varieties which, although asymmetrical, can visually reconsider the biopolitical statute of feminisms, either by the option of self-multiplication, or through its constant actualization.