Search Results - isPartOf:"Capital and Class" - EconBiz

SECTION 3 - CULTURAL SPACES AND CULTURAL LIVES - The engineered and the vernacular in cultural quarter development - Jim Shorthose explores two concrete examples of cultural development and interaction. He argues that the difference between top-down, 'engineered' cultural development, as compared with more DIY, 'vernacular' culture, highlights the existence of different forms of cultural ...

Shorthose, Jim - In: Capital & class : CC (2004) 84, pp. 159-178

Persistent link: https://www.econbiz.de/10007837319

SECTION 3 - CULTURAL SPACES AND CULTURAL LIVES - The 2003 European Social Forum: Where next for the anti-capitalist movement? Simon Tormey discusses the tensions within the European Social Forum movement, especially those emerging from the debate between a 'disaggregated' cultural trajectory and the imperative for more overt political organisation.

Tormey, Simon - In: Capital & class : CC (2004) 84, pp. 149-158

Persistent link: https://www.econbiz.de/10007837320

SECTION 2 - ARTISTIC PRODUCTION AND POLITICS - Marxism and science fiction: A celebration of the work of Ursula K. Le Guin - Tony Burns reviews the work of Ursula Le Guin, specifically The Dispossessed, as an example of politically and ethically committed creative writing.

Burns, Tony - In: Capital & class : CC (2004) 84, pp. 139-148

Persistent link: https://www.econbiz.de/10007837321

SECTION 2 - ARTISTIC PRODUCTION AND POLITICS - Narratives of transformation and resistance: A cultural studies approach towards a critical understanding of the New German Cinema - Inga Scharf highlights the sterile mainstream cultural production of immediate post-war Germany, and shows how the New German Cinema of the 1960s blew this sterility away through its mixture of political and aesthetic ...

Scharf, Inga - In: Capital & class : CC (2004) 84, pp. 129-138

Persistent link: https://www.econbiz.de/10007837322

SECTION 2 - ARTISTIC PRODUCTION AND POLITICS - 'The anger management is not working' - Barnard goes on to review the graffiti artwork of Banksy, as an inheritor of the Situationist political tradition.

Barnard, Adam - In: Capital & class : CC (2004) 84, pp. 125-128

Persistent link: https://www.econbiz.de/10007837323

SECTION 2 - ARTISTIC PRODUCTION AND POLITICS - The legacy of the Situationist International: The production of situations of creative resistance - Adam Barnard locates the Situationist International as the fertile precursor of contemporary cultural politics, through an account of its political trajectory and its development of radical artistic techniques.

Barnard, Adam - In: Capital & class : CC (2004) 84, pp. 103-124

Persistent link: https://www.econbiz.de/10007837324

SECTION 2 - ARTISTIC PRODUCTION AND POLITICS - 'A spacious Horizon is an image of Liberty': Artistic and literary representations of space and freedom in the English common field landscape in the face of Parliamentary Enclosure, 1810-1830 - Ian Waites presents an historical account of the literary and pictorial resistance to the nineteenth-century Enclosure Acts, highlighting the key role that ...

Waites, Ian - In: Capital & class : CC (2004) 84, pp. 83-102

Persistent link: https://www.econbiz.de/10007837325

SECTION 2 - ARTISTIC PRODUCTION AND POLITICS - Satirising the bourgeois worldview: Patrick Hamilton's Impromptu in Moribundia - Following on from his earlier piece, Maycroft reviews this critical work of Patrick Hamilton's literature, and positions it within a wider cultural politics, resistant to the diminution of life to the cultural stereotypes of consumer 'life-style'.

Maycroft, Neil - In: Capital & class : CC (2004) 84, pp. 77-82

Persistent link: https://www.econbiz.de/10007837326

SECTION 1 - CULTURAL ECONOMICS - Cultural consumption and the myth of life-style - Neil Maycroft provides a detailed analysis of the banality that characterises the discussion of 'life-style' within contemporary cultural commentary, as a symptom of a wider ideology of consumerism.

Maycroft, Neil - In: Capital & class : CC (2004) 84, pp. 61-76

Persistent link: https://www.econbiz.de/10007837327

SECTION 1 - CULTURAL ECONOMICS - The new cultural economy, the artist and the social configuration of autonomy - Gerry Strange and Jim Shorthose critique some of the limitations of orthodox economics in its treatment of artistic labour. They position artistic labour as a particular form of social and economic (inter)action, highlight its intimate connection with autonomy, and suggest ways in which ...

Strange, Gerard; Shorthose, Jim - In: Capital & class : CC (2004) 84, pp. 43-60

Persistent link: https://www.econbiz.de/10007837328

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