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Earlier research found that great painters can be categorized either as young geniuses, who make sudden conceptual innovations early in their careers, or as old masters, who work experimentally, by trial and error, and arrive at their greatest contributions late in their lives. This paper...
Persistent link: https://www.econbiz.de/10005436203
Art critics and scholars have acknowledged the breakdown of their explanations and narratives of contemporary art in the face of what they consider the incoherent era of "pluralism" or "postmodernism" that began in the late twentieth century. This failure is in fact a result of their inability...
Persistent link: https://www.econbiz.de/10004980320
There have been two very different life cycles for great modern artists: some have made their major contributions early in their careers, while others have produced their best work later in their lives. These patterns have been associated with different artistic goals and working methods:...
Persistent link: https://www.econbiz.de/10004990489
A survey of textbooks reveals that scholars consider Alfred Stieglitz to have been the greatest photographer of the twentieth century, followed in order by Walker Evans, Cindy Sherman, Man Ray, and Eugène Atget. Stieglitz, Evans, and Atget were experimental artists, who were committed to...
Persistent link: https://www.econbiz.de/10005034341
There are two fundamentally different approaches to innovation, and each is associated with a distinct pattern of discovery over the life cycle. Experimental innovators work by trial an error, and arrive at their major contributions gradually, late in life. Conceptual innovators make sudden...
Persistent link: https://www.econbiz.de/10005025751
In 1917, when the American Society of Independent Artists refused to exhibit a porcelain urinal that Marcel Duchamp had submitted to them as a sculpture, a friend of Duchamp's wrote : "There are those who anxiously ask: 'Is he serious or is he joking?' Perhaps he is both!" Duchamp's behavior -...
Persistent link: https://www.econbiz.de/10005580361
The back story of twentieth-century art concerns the changing intellectual, economic, and technological setting that would cause the art of the past century to be fundamentally different from that of all earlier times. The single most important change involved the structure of the market for...
Persistent link: https://www.econbiz.de/10005580792