This article explores the reassembly of the city of Nuremberg, Germany, through its heritage post- World War II. It does so primarily through consideration of two aspects of post-War heritage assembly and reassembly. First, it looks at the reconstruction of the city in the aftermath of bombing, with particular attention to the reassembling of historically significant architecture, though also in light of debates about reconstruction (of former buildings) versus construction (new build). Second, it investigates the making of Nazi architecture into heritage, initially through legislation and later through other accoutrements of heritage, such as information panels and guided tours. It is concerned, both for this specific case and also more widely, with what work the distinctive assemblage known as 'heritage’ can perform, including assembling and reassembling other entities, such as place, temporality, moralities and citizenship. In this way, the article seeks to explore the contribution that an assemblage perspective might make to the understanding of heritage as well as to consider some of its limitations.
