Studio studies : operations, topologies & displacements
edited by Ignacio Farías & Alex Wilkie
| Year of publication: |
2016
|
|---|---|
| Other Persons: | Wilkie, Alex (contributor) ; Farias, Ignacio (contributor) |
| Publisher: |
2016: London : Routledge |
| Description of contents: | Table of Contents [gbv.de] |
Online Resource
- Cover; Half Title; Title Page; Copyright Page; Table of Contents; List of figures; List of contributors; Acknowledgements; 1. Studio studies: Notes for a research programme; Introduction; Creative work: towards a situated approach; Studio life: invention, intimacy and aesthetics; The structure of the book; Notes; References; Part 1: Operations; 2. The design studio as a centre of synthesis; Centres of synthesis and diverging events; Studio processes; Concluding remarks: the synthetic registers of design studios; Acknowledgements; Note; References
- 3. Bringing the world into the creative studio: The 'reference' as an advertising deviceIntroduction; Mapping advertising practices; Using references in the agency; Referencing as a practical activity; Ordering and classifying; Qualifying and evaluating creative concepts; References as a valuation device; Confronting creative work with multiple grammars of worth; Conclusion; Notes; References; 4. From the squid's point of view: Mountable cameras, flexible studios and the perspectivist turn; Studio studies and perspective problems
- Machinic perspectivism: the machine that wanted to put itself in the place of othersOver everyone's shoulder; The search for an 'on-board' experience; Mounted perspectivism and the multiplication of position-exchange experiments; The day bats will make their own; Conclusion; Notes; References; Interview 1; 5. For a sociology of maquettes: An interview with Antoine Hennion; References; Part 2: Topologies; 6. Theorizing studio space: Spheres and atmospheres in a video game design studio; Introduction; Spheres, space and atmospheres; Spheres and atmospheres of the studio
- Conclusion: spatial atmosphericsNote; References; 7. Interto intracorporeality The haptic hotshop heat of a glassblowing studio; Revealing the 'shop' of the 'studio'; From intercorporeality to intracorporeality; Conclusion; Acknowledgements; Notes; References; 8. Architecture in the wild: The studio overflowed; What does the garden do to the studio?; Architecture in a box; Concluding remarks; Acknowledgements; References; Interview 2; 9. Temporalities, aesthetics and the studio: An interview with Georgina Born; Notes; References; Part 3: Displacements
- 10. Rediscovering Daphne Oram's home-studio: Experimenting between art, technology and domesticityIntroduction; Rediscovering the home-studio; Daphne Oram's sound-house; The Oramics Machine; Conclusion; Acknowledgements; Notes; References; 11. The studio in the firm: A study of four artistic intervention residencies; Contextualizing artistic interventions in organizations; The case of the Résidence d'artistes programme at Eurogroup Consulting ; Four versions of the studio in the firm ; Igor Antic: please disturb the artist in his studio
- Renaud Auguste-Dormeuil: temporary annex of the artworld
Persistent link: https://www.econbiz.de/10011682110